![]() Not seeing a pixel hop on the returned layer in this rel.Can open into PAI UI from Ps layer stack, process image, return to Ps layer stack - working with a.Installed during installer run - shows up in Ps Filter menu.It’s very distracting & tough to tell from Before/After side of that split line how improved the image is when it’s “moving” like that. Still thrown by the rippling appearance (don’t know if it’s pixel shifts) when moving the vertical dividing line in the Split View view mode.The user & other likes for the wished for feature set is now up to 20. Still baited breath for a manual Masking Brush w/previously requested attributes.size designation brushes to select objects for sharpen only. Used AI Brush with blue overlay - adjusted opacity of the overlay okay - used diff.upscales as desired - no saves while in the UI image aspect ratio by default and it worked that way too). New Crop function worked - used on Custom (initially it was retaining orig.In UI processing speed keeps improving - feels fast.Processor = Auto (AMD RX6800 XT, Intel i0 12th gen) In case you didn’t see it last week, we have a new quarterly roadmap available! It’s a great place to voice your feedback not directly related to this specific update: Fixed some images showing wrong dimensions in resize panel.Fixed applying settings to all taking a long time.Fixed horizontal scrolling/dragging not working on file list.If there’s a specific image you’d like us to see, you can send it us at this dropbox link. We’ll be updating TPAI regularly to address those pieces of feedback and issue reports. Please give us any feedback or report issues with this release. In the meantime, we’d love to hear your feedback on the feature and the direction you’d like to see us take it in! This feature is considered in “open beta” starting with this week’s release, as there are still quite a few improvements we want to deliver in the following weeks. It also fixes problems that many photographers will be working quite hard to avoid in the first place.This week’s update is focused around one big new feature we’ve been working on: Cropping. When it doesn’t, it’s a bit disappointing, especially in view of the cost and the time it takes. When it works, Topaz Photo AI is very good. Topaz Photo AI is expensive and quite slow to use, and while it can fix some photo problems remarkably well, they have to fall into what I’ll call its ‘fixability window’, and you have to have enough of these problem photos in the first place to make it worth the cost. AI is good at some things but bad at others. Focus on your creativity rather than your tools. ![]() With phone images I found it tended to upscale the phone processing artefacts rather than finding or adding new detail. Topaz Photo AI supercharges your image quality so you can focus on the creative part of photography. The upscaling works really well on images with good intrinsic detail and not too much processing – such as those from a DSLR or mirrorless camera. The Upscale and Enhance Resolution tools will often be used together. ![]() There is a ‘processed’ look about the results, but it’s still an effective tool for rescuing or enhancing unrepeatable people shots. It works surprisingly well on people who are just out of focus or not quite sharp. The Recover Faces tool kicks in when the software recognizes faces in the frame and thinks they need fixing. Shots that were just slightly soft underwent a pretty dramatic transformation, and shots with poor focusing had variable outcomes – often with obviously processed edge detail and ‘filling in’ of the sort you see with over-processed phone images. I found that shots on the wrong side of its ‘fixability’ threshold were made worse – including any kind of double-image blur from camera shake. The Sharpen process can be spectacular or bad, depending on the image. I wouldn’t put this in the same league as DxO’s DeepPRIME XD processing. I found myself pushing the Detail slider up to maximum and the Strength slider down to zero to get results that looked smooth and crisp. The noise removal is very effective but quite aggressive by default. The results vary, depending on the quality of the image you’re starting from and its particular issues. The recovered detail in the rocks and the leaves, top right, is pretty remarkable. This is the most spectacular outcome, though the Autopilot didn't think this needed sharpening it all, so it was done manually.
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